The Bounce Rate Podcast
This episode of The Bound Train explores the role of humor in marketing, from viral hits like Squatty Potty to polarizing campaigns like Geico and Chick-fil-A’s cows.
The hosts discuss how local businesses use irreverence, the importance of knowing your audience and brand identity, and offer practical rules: be self-aware, avoid punching down, and choose the right timing and medium.
Listeners are encouraged to check local ads, consider where humor fits their brand, and send in samples that make the hosts laugh.
EPISODE TRANSCRIPT +
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Music.
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Welcome to The Bound Train. How are you doing? Why are you looking at me? I don’t know.
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That was a… Do I not look as good as… Well, I guess you don’t know how I
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feel, so do I look good or bad?
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You look great. You both look top-notch.
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Oh, go on. Yeah. No, I mean go on. Okay, you’re a snappy dress. All right.
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Today we’re going to talk about a subject that I think is near and dear to most
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of us here in this table, And it can often be elusive when it comes to marketing.
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And that is the concept of humor and understanding when it’s time to use humor,
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when does it seem genuine, when do you feel like it gets in the way.
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You know, historically, you know, when I was a kid, it was always the concept
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of there being a funny advertisement was a one of the key indicators of marketing working.
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Obviously the main thing that i
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always remember was the super bowl i can remember when you
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know my mom who does she
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does not know anything about football but she would genuinely go sit down and
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watch the super bowl because she knew well one of these commercials will probably
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be super funny and same thing with the oscars same thing with the olympics there’s
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always you know anything would have a lot of eyeballs,
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people know, oh, this is an opportunity to have a humorous ad. But it can be tricky.
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I don’t know. What have y’all’s experience been just as like consumers, as people watching ads?
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I feel like we’ve had a lot more humor brought into advertising in recent years. I don’t know.
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I think lately, yeah. I think too with the internet because not all advertising had to be on TV, right?
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Or the radio and it made it easier.
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I remember, you know, these little small companies that would blow up because
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they would do some humorous ad and it would go viral.
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Right. So one of the ones that sticks out to me is this thing called Squatty
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Potty. Did y’all ever hear of that? Oh yeah.
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And my kids knew the song Squatty Potty, you know, like, cause it was, it was hilarious.
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We had Squatty Potties in my house for like a few months and then for no reason. Yeah.
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But it was just like, I don’t know, like that, I guess it can work,
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but you have to be funny, right? Like you got to do it right. Absolutely.
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And, you know, that also the flip side of that is sometimes someone will make
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an ad with the intention of it being funny and it doesn’t work for you.
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And you might have a negative association of that ad.
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I this is polarizing and I hate to anger them because I sure love them to be a sponsor.
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But I do not like the cow, the Chick-fil-A cows.
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What? I mean, I don’t like, I don’t love them, but I don’t like hate them or
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anything. I don’t get angry when I see them. I do.
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I don’t think it’s going to be for the same reason.
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You should write down your reasons so they don’t change it to mine because mine’s really good.
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But my reason is if you have cows that are smart enough to climb onto billboards
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and write signs, why can’t they spell?
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Sure. Like what? That doesn’t even make sense. That just irritates me.
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You’re not being humorous there. You’re being contradictory. into your own premise.
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This is where, this is my problem is that my humor is not there.
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You’ve actually thought about this way more than I have, but he’s doing world
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building as far as the conceptual universe of the cows.
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They did something right, though. I mean… They have an amazing chicken sandwich
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and they serve it really well. Yeah.
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And it’s reasonably priced. Yeah.
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Yeah, that’s what they did well. So despite, And now they have this brand that is this thing.
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One of the things that I’ve noticed about humor is there seems to be a lot of
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marketing people that feel like you have to have it in.
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And it almost turns into dad jokes or just slight puns, kind of the ha ha ha
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ha sort of ad that I think it really misses. I’m with you.
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With more and more humor in ads there are some where I’m just like,
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this is stupid come on, it’s just too much, you know, or,
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Now, I’ll tell you the ones that I hate more than anything, and then the flip
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side of the ones that I think are a lot of fun.
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The ones I hate more than anything are ads where they say something like,
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are you not using super shine shampoo?
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Well, not using super shine shampoo, that’s like putting a fox in your attic.
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Yeah. That’s like doing this, where it’s a complete non sequitur.
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Right. Yeah. Just something to be outrageous, right? Yeah.
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I have a genuine, and I don’t want to alienate anyone, I have a genuine aversion
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to the Geico commercials.
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Because there’s so many things going on, and so many of them are not having Geico.
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Well, that’s as bad as blank. And I don’t like that non sequitur.
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Partially because it feels like, you know, whenever you’re interacting with
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an ad, it’s a brand talking to you.
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It’s not a person. It’s a company that in our capitalist society is there to
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make a profit and take something from you.
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And if they’re trying to make you forget about that, I feel like they’re trying to trick me.
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I feel like they’re trying to, like, dupe me. But if they embrace that,
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if they say, this is an ad and we want you to buy this thing,
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when they have that premise,
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I personally am a lot more likely to go along with their messaging.
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Well, we’re talking about a lot of these big brands. Can we think about any
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local brands? We’re in Houston, you know, that use humor.
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Yeah. So there’s one of my pizza places. I think we’ve talked about it before here in Houston.
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They were struggling. They struggled on the tape program, and it was bizarre
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that we weren’t as successful for them as we wanted to be.
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We tried revising their ad. We really did a lot of stuff.
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What turned out is that this is kind of a Houston institution,
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and they polled from all across the city. And it’s old clientele.
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Their clientele had been going there for 12, 15 years, and they were having
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a hard time getting new clientele. but they’re very expensive for pizza and
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they’re pulling all across.
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So that, so the advertising campaign didn’t work. So the owner decided,
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Hey, we’re going to try Tik TOK.
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And I saw him a few weeks into it and he’s like, well, that thing’s not what
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I thought it was. It’s just a bunch of stupid videos and all their videos. They were kind of funny.
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They’d be like, Oh, Hey, you know, it’s kind of those ones where they’re like,
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Oh, Hey, I didn’t order fed on my thing.
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And so, you know, the server would grab the fed and throw it into the cook’s face.
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And they did stuff like, you know, just kind of nonsense stuff trying to go viral. Yeah.
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So that’s an example of someone doing some social media,
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funny videos right but that wasn’t incorporated into their brand because i know
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you’re talking about okay yeah like what brand because like is you know when
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you think of it locally it’s fun well i guess what i’m i’m trying to get to
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is this a big brand thing or is can a small business.
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Leverage humor well i mean gold tooth tony’s another
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pizza customer of ours they have some
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i mean it’s it’s not it’s kind of i
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don’t know it’s it’s kind of i want to say humor i think it’s kind of like well they’re
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alternative right because like when you go onto their
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website everybody’s got a lot of ink you know up
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and down the arms and it’s all but it’s also come on
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the name of the brand of the whole chain is gold tooth tony yeah so that is
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a little bit they’re using humor yeah yeah it’s it’s again it’s a very specific
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time of humor and it’s very subtle but it is humor i don’t even i don’t think
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that i think that’s not really subtle but like say gold tooth Tony.
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So, I mean, they’re not hitting you over the head with jokes,
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but it shows a little bit of irreverence and it shows a bit of creativity that
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other brands don’t necessarily have.
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Yeah. Yeah. Good point. One thing, one that pops into my mind,
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they’ve got multiple places, but I just went there last night was a restaurant
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called Tumble 22 that I think it started in Austin and there’s one or two here in Houston,
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but their menu is kind of packed with irreverent names for things and stuff.
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And, you know, it would, or, you know, when you get their emails,
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it has a certain vibe or a tone that is…
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Kind of direct and a little bit in tongue in cheek.
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And, you know, you look at that versus like the sign outside of, of a Luby’s or the,
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or I’m trying to think of it like a, a candle shop or a spice shop that they
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are not going necessarily for the,
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20 to 33 year old.
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They know that they need someone in their sixties and someone in their 60s might
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read this menu and be like, what? What does that even mean?
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There was a menu item called the little OG, which I think is kind of funny,
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the kind of an idea of an OG, but little OG.
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And the question is, does someone in that age group even understand what that means?
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They are going to be triggered comedically with a different frame of reference.
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And so I think it’s important to know your audience before you start saying,
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well, we got to make stuff funny. And does your brand, does your humor match
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your brand? Is it incorporated?
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So if you have a certain amount of irreverence in the brand to begin with,
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the humor is going to be fine.
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If you are just doing a joke just to do a joke and it’s not really part of who you are.
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So there’s a great restaurant here called Sweet Paris.
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They’re about kind of recreating a crepe experience like you’d get in France.
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They can’t really pull off humor. Right. It’s supposed to be a cafe,
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an old world cafe. You can’t really do humor there because it’s not part of who they are.
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Yeah. Now, there’s one area of marketing that kind of blows my mind in terms
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of how bold brands can be despite not having any kind of humor or reverence anywhere else.
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And that is email subject lines.
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I would encourage you to go to your promotions tab and
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look at like some emails because they are a
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lot more aggressive than they used to i feel like back in
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the day email subject lines were just
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things like hey open this now you don’t
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want to miss out these savings and i think like today with
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so much stimulus they have amped it up in
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terms of like amusing subject that’s
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a great point i think email subject lines in advertising
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are like baiting suits of
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clothes you know because baiting suits you can
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wear a wild baiting suit and it’s like totally fine right you
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know like you might have a bright color or crazy pattern but i think that you
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know you’re right that is a place where even if you don’t have a humorous brand
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you’re gonna get probably more opens and reads and attention if you do something
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funny yeah dude doing something out there i’m trying to look for,
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like I’m looking at my spam for some I mean, I think I get old man spam.
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Not younger vibe. You need to go out there and join or you need to go sign up
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for some loyalty and some marketing news. Yeah, evidently.
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But ultimately I think there’s a time for humor.
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You can use humor even if your brand isn’t humorous if you do it in the right way.
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And if you are a small business and you’re funny, I mean, I think leveraging
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humor can be a big win for you, but you got to do it right, right? Yeah.
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Like, because you will stand out more if you do it right. And I think what you
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need to know is you’re not going to be funny to everybody. You have to hit your audience.
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So what are the rules? What are the guidelines, the top three and a half guidelines?
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You’re talking about your spam guidelines? No, for humor. If you’re going to
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use humor in your advertising, what are the… I’ve got two,
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and then y’all follow up the next one.
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Number one, be self-aware.
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If you watched a comedian who went up there and did a stand-up routine about his wild college days,
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but during the whole thing, there was a squirrel sitting on his shoulder,
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and he didn’t mention the squirrel once. Yeah.
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Would you think his stand-up was
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funny? Probably not. Because all you’re thinking about is the squirrel.
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So if you are a brand and you have a certain image and you have a certain understanding
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of what you project, then you need to embrace that.
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You need to be self-aware of what’s going on and who you are.
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And then also just know your audience, which is very similar to being self-aware,
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but know who yourself is and then know who your customers.
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Yeah, I would say that’s got to be at the top of the list. Knowing your audience.
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Yeah. Yeah. I always like the whatever is the subject of your joke,
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that subject should laugh too.
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That’s a good one. That’s a good one. Because that’s a real litmus test.
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You don’t want to punch down.
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It’s too easy. And honestly, it’s just sloppy, easy, lazy comedy to punch.
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Oh, that political party can’t do anything.
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OK, yeah, right. We get it. You’re on one side. They’re on the other. Whatever.
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That’s not funny. If you’re if you look at something and you kind of exaggerate
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what they are, that’s where I think comedy comes in.
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They’re like, yeah, well, I am kind of that way, too. Yeah, I would say I think
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when brands use humor, usually they’re they’re poking at themselves for the
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most part. That’s the thing.
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So the concept of self-deprecating humor, I think it can kind of get convoluted,
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but it’s basically just calling out something that people know about who you are.
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If your brand is like, you know, Hot Topic or Freebirds where it’s kind of edgy
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and you make a joke about being edgy, well,
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that’s, I’m going to feel a
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lot more endeared to you because you are saying, hey, this is what we are.
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Timing. Excellent. I think that’s an amazing third one, which is know when and
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what medium to inject humor.
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I should have held that just a little longer. A little longer.
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I was afraid somebody was going to speak. We’ll have a chance next time.
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When I add it, I’ll put some silence. But I think that’s an excellent final
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one to think about, which is, are you sending a SMS ad at eight o’clock in the morning?
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Well, that’s probably not the time to put humor.
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Is it a… I don’t know.
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Well, I get your point. I think your point is well taken. I’m not sure because
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I will tell you why. And this is probably a generational thing, too.
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I know that humor is actually what everybody wants in the morning,
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because that’s why you never could listen to music on radio stations for years in the morning.
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Drive home is music. The morning is DJs. Yeah, that’s true.
00:16:09.765 –> 00:16:15.025
That’s a good point. For years, I mean, I can’t tell you, because I had to commute a long way to school.
00:16:15.225 –> 00:16:19.525
And I was like, I just want to listen to music. And it was some, we’re riding the dog.
00:16:20.165 –> 00:16:22.945
And they did all the sounds and the noise and so forth. And evidently,
00:16:23.065 –> 00:16:24.445
that was what woke people up.
00:16:25.165 –> 00:16:28.845
Not me. I wanted to listen to Rush. Rula and Roses. Yeah. Oh,
00:16:28.925 –> 00:16:32.625
that is good stuff. You guys need to check out the Rula and Roses show.
00:16:32.865 –> 00:16:34.965
Yeah. Or not the show, but her bit. Yeah. Yeah.
00:16:35.345 –> 00:16:39.185
Well, this week, check out your favorite local brands. See who’s using humor.
00:16:39.385 –> 00:16:42.785
Think about your own brand. How can you inject? Send us samples.
00:16:43.685 –> 00:16:47.465
Make fun of indoor media. Send us samples in the zip, you know.
00:16:47.565 –> 00:16:51.845
Make fun of register tape advertising and cart advertising.
00:16:52.025 –> 00:16:54.785
I want to hear it. I’m going to throw the gauntlet down. Send us.
00:16:54.965 –> 00:16:56.525
Make sure we laugh with you.
00:16:56.905 –> 00:17:00.445
Yeah. Right? Just don’t tell us we’re awful. I get that you’re going to,
00:17:00.605 –> 00:17:02.305
some of you may think that. That’s fine.
00:17:02.625 –> 00:17:07.945
I want to know what would make us laugh. Yeah. we we want to laugh with your
00:17:07.945 –> 00:17:13.105
with you we don’t want to laugh at us yeah yeah right.
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